Last week, we took a day trip to Bilbao to see a Miro exhibit at the Guggenheim Museum. We started with coffee and a pastry at a very nice pasteleria near the museum. We were surpised to find that the person serving us was from Hawaii (!). This young women had moved to Bilboa two years ago and spoke very good Spanish, probably due to her Basque mother. She was impressed with our Spanish, but we all agreed that Euskera is just much too hard to learn.
At the museum, we started with the Miro exhibit. We have been to the Miro Foundation in Barcelona several times, and it is a museum that we really like. But this exhibit, which contained many works we had never seen before, both from private collections and museums we have never visited, did not impress us much. This was the most interesting piece, both for its form and for its inclusion of many elements that Miro used often:
Fortunately, as is often the case, the other temporary exhibits at the museum were better than the one we went to see. First we saw a work by a Japanese artist named Yayoi Kusama whose work tends to be immersive. The piece we saw was just that: a small room (only 4 people admitted at a time) with mirrors all around and hanging lights. We were not certain exactly what it was supposed to signify, but it was pretty cool.Next, we saw an exhibit of a black British artist named Lynette Yiadom-Boakye. The exhibit was of both paintings and charcol drawings of black people done between 2020 and 2023. I was particularly impressed by the pieces done in charcol. I am not sure why exactly, but there was something about the almost causualness of the drawings that I really liked. Even better, the artist is also a writer, and our favorite part of her exhibit was reading one of her short stories.
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